Saturday, July 4, 2015

Green Lakes State Park

"Green Lakes Park"  9x12  Acrylic  More Info
Green Lakes Park, just outside of Syracuse, NY is perhaps my favorite place in the world. It is a magical place to take long walk, along beautiful trails that seem to go on forever. There are two lakes there, that are the crowing jewel of the park. These lakes are a stunning turquoise caribbean blue-green. I have never attempted to paint them because I feel I could never capture the beauty in paint. Here is a scene from one of the winding roads.

I'm leaving tomorrow for New Hampshire, to teach a 4 day plein air workshop. We will paint the lush scenery and grounds surrounding the Gibson House B&B, I'm looking forward to it. Happy 4th of July!

Thursday, June 25, 2015

Ray and Margaret's Backyard

"Ray's and Margaret's Backyard"  Acrylic 10x10"  Click for Info

I'm gearing up for my plein air workshop in New Hampshire, and decided to paint one of the views from my studio window. I didn't pick it because it inspired me, I actually picked it because it didn't inspire me, so that made it more challenging. (photo below) I wasn't sure beforehand what the focal point was going to be or what I was going to play up. But I eventually figured out a direction to go in and like the way it turned out.

Tuesday, June 2, 2015

Memorial Day on the Jersey Shore

"Jersey Shore"  Acrylic  (SOLD)
 Finally summer is here! Don't you feel like packing your (beach) bag and heading for the shore?

Tuesday, May 26, 2015

Painting Demo and Student Work

"Yellow Tulips"  Demo  8x8"  Acrylic  (SOLD)
Here is my painting demo from Day 2 of the workshop. I always time the demos, because the name of the workshop is "how to paint fast, loose and bold", so I have to be aware of living up to the title. It took 23 minutes from start to finish.
Below is a painting from one the so-called "beginner" students. I have included the still life reference so you can see how she interpreted it. Is this painting cool or what? Love the stylization and color translation.

Monday, May 25, 2015


"Blue Cup" Demo  8x10" Acrylic (SOLD)

"Orange Slices" Demo  8x8"  Acrylic (SOLD)

One of the best things about teaching workshops is the mutual sharing. I share what I know and in return my students share their interpretations of what I am teaching.  I am often most inspired by the so-called "beginners" who interpret the assignments and exercises in such fresh and unexpected ways.

I just returned from teaching a 5 day workshop at Greenville Arms, where I had the pleasure of working with a fabulous group of talented, inspiring, inspired artists. I learned at least as much from them as they (hopefully) learned from me.  We had a great time. They teased me about how I don't blog anymore, so I will try to remedy that.

Above are photos of Day 1's Demos:  The goal was to show how to paint quickly using big brushes (2"), demonstrating my process. Each was completed in less than 25 minutes.

On Day 5, we started out the day doing an exercise where we all worked from the same still life.  The intention was to incorporate the fundamentals that we worked on the previous 4 days: simplified values, value to color translations, brushwork, speed. I gave them verbal instructions, step by step, mostly what value to use, not so much what color to use.   I couldn't see what they were painting and many of them couldn't see what I was painting. What a surprise when I turned around and saw their paintings... WOW!! I wanted a group photo with all these amazing paintings in one shot, here it is, below.

Friday, April 10, 2015

A Day at the Beach

"Beach Scene"  Acrylic  11x14
I've been painting beach scenes lately... that must mean I'm getting ready for winter to be over. I'm also getting ready to teach my "Bending Reality" color schemes workshop in North Carolina. You can see from the photo below, I bent the colors and composition quite a bit.

Saturday, March 28, 2015

New York City Watertowers

Harlem Watertowers  Acrylic, 14x18"   SOLD
The water towers of New York are such a city icon, I find them an irresistible subject to play with. Lately I've been teaching and learning some cool new techniques for abstraction, and really enjoying it.

Sunday, February 8, 2015

Rooster Painting Demonstrations

"Rooster 1"  Acrylic, 12x12"  $250  Click to Buy
"Rooster 2"  Acrylic, 12x12"  $250  Click to Buy

I was invited to do a painting demonstration on Friday night at the National Arts League in New York. The demo was to be from 8-10 pm.  I knew in advance this may be a problem, so I came prepared.  The first demo was finished in about 20 minutes.  I brought out my second canvas and jumped into the next painting, done in about 1/2 hour. Since I teach "how to paint fast, loose and bold" I figured it's a good idea to practice what I preach. There was plenty of time left over for coffee and cookies, Q and A, general chit chat about current museum shows, etc.
The demo was started with a 2 " flat brush and ended with a liner, to put the small highlights on the rooster's red "crown".  Below are some photos taken by Suzie Alvey, which made me realize I have a habit of sticking out my tongue while I paint. I guess there are worse habits, right?

Sunday, January 25, 2015

Crossing First Ave.

"Crossing First Ave." NYC  Acrylic 16x22"  $350  Click to Buy

Here is another Tetrad color scheme (four colors), Purple, Red, Blue and Yellow. It started out as a complimentary color scheme but then I decided it needed more color pizazz! Love this guy crossing the street - I actually saw him walking in front of the Metropolitan Museum of Art and decided that one day I would stick him in a painting. Well here he is, crossing First ave. (even tho he was really walking down 5th ave.) Artistic license, love that too.

Thursday, January 22, 2015

Upper West Side Corner  15x15",  Acrylic  $300  Click To Buy
I painted this today as practice for an upcoming workshop I'll be teaching late April, called "Bending Reality" about working with color schemes and color strategies. (I haven't posted the workshop yet, but will do so soon.) For some reason, I've always been intrigued with using chosen colors, when I'm not working with hues I actually see.
This is a "Tetrad" color scheme (4 colors) - purple, blue, yellow and red. I worked from a teeny tiny b/w photo taken years ago. I think the painting has the feeling of the scene - and thats what I was after.

Monday, January 19, 2015

Jazz Musicians

JazzJam  12x16" Acrylic  $300  Click to Buy
I've been painting a lot, but posting not. Sometimes I like to paint the same subject more than once, and try something different each time. I have already painted each of these guys separately, (see my last two posts) but now they are jamming together. I think they make a nice duo!

I will be teaching "Fast, Loose and Bold Painting" on the stunning island of Skopelos in Greece, from September 2 - 13.  If you want to join me, enroll by January 30 and and you'll save $150! Click here for more information.

Wednesday, December 24, 2014

Tenor Player

"Tenor Player"  Acrylic,  9x11"  
My husband is a jazz musician, I only have 10 million photos of musicians performing. I think it makes sense to paint them ... wonder what took me so long.
Happy Holidays to everyone!

Friday, December 19, 2014

Tuesday, December 2, 2014

Jazz Cat

"Jazz Cat" Acrylic  9x12" 
This was fun, hopefully it shows :-)

Thursday, November 27, 2014

Colorful Corn

"Indian Corn"  9x12", Acrylic  More Info
Wishing everyone abundance and peace on this day of gratitude. I for one am eternally grateful to be able to see this beautiful world from an artist's eyes, and to have the opportunity of sharing this vision with others. Such a blessing!

Tuesday, November 25, 2014

Pink Gerbera Painting Demo

"Pink Gerbera"  8x8" Acrylic  (Sold)

Seems like I've been away forever, one workshop after the next - all really fun, then a trade show out west. As always, the best part of workshops is meeting new artists and making new friends.
I am finally home - for one day - then back on the road to see my folks for Thanksgiving. Wishing everyone a wonderful holiday.
Posted above is one of the demos from the Carmel Workshop.

Thursday, October 30, 2014

Cheries Amour

"Cheries Amour"   11x14"  Acrylic on Paper

I'm getting ready to leave town to teach a 5 day "Loosen up" workshop in Carmel, then a 3 day beginner workshop in San Clemente. Wanted to do some warm up exercises and started with one cherry, then another emerged, then suddenly I had cherries on the brain and couldn't stop painting them. They provide an easy way to observe highlights, form shadows, cast shadows, reflected light, reflections, halftones, etc. When I get to CA I will be buying fruits and vegetables as props for the workshop... Cherries are at the top of my list ... edible, tasty props... love 'em!

Friday, October 24, 2014

Ciao Tuscany!

"Boat at Lake Trasimeno"  Acrylic 8x10" Sold
The Tuscany trip was a pure delight, made more so by the awesome group of gals who joined me. They were a fearless, inspired bunch, and it was such a pleasure to spend a week with them. The scenery was to die for - the reason Tuscany is a must-paint destination for artists. I did not have much "focused" time to paint, but did manage to squeeze in a few quickies. Here is a demo from the day we went to beautiful Lake Trasimeno. A quick painting from a trip that will last in my heart for many years to come. Here is a picture of all of us - enjoying the many tastes as well as the sights!


Thursday, September 18, 2014

Using a (very) Limited Palette

"Tuscany Sunflower Field"  10x12"  Acrylic  $300  Click to Buy

The time has come... I'm packing for the Italy trip. In an effort to keep the weight to a minimum, I was experimenting with a limited palette. I used 4 colors in this painting. (Plus white, if you consider that a color.) Purple, green, ochre and alizarin.  Yup, that's all! It's amazing how few colors one can get away with and still represent a scene realistically. Not that I will be bringing only four colors, but it was an interesting exercise. One of the benefits of a limited palette - automatic color harmony. The other - way less schlepping!

Friday, September 12, 2014

Studio Sunflowers

"Studio Sunflowers"  8x10" Acrylic  $250  Buy it Now

What do sunflowers have to do with making lemonade? Maybe nothing, but while I was painting these from my studio window all I could think of was that I was making lemonade from lemons. The flowers are certainly not in their best form, as you can see in the photo (below). The light and shadow were nothing to speak of either.
So why did I choose to paint them when there were probably better subjects with less challenging issues? Well, for the challenge. When painting plein air sometimes your view and subject matter is simply a painting waiting to happen. Other times there are factors that are not exactly working in your favor. Thats the thing - you never know till you get there. Lately, in preparation for my Tuscany workshop, I've been treating myself to some "worst case scenarios" to see what tricks I can pull out of my hat. Which may be totally overkill... I mean really, a bad view or  uninspiring light in Tuscany? It must be the virgo in me over-preparing as usual. Or maybe it was just another excuse to paint sunflowers.

Wednesday, September 3, 2014

Next to Compton's

"Next to Compton's"  12x12"  Acrylic  Click for Info
Tuscany is known for its huge fields of Sunflowers. I figured this would be good practice for my upcoming workshop. Several people have asked if the workshop is acrylics only - I will be demo-ing in OPEN acrylics (the slow drying paint) but it is for all media - oil, watercolor, pastel too.  Join us if you can!

Monday, September 1, 2014

Lavendar Lane

"Lavendar Lane"  12x12" Acrylic  Click for info
This street is in Nyack, NY, looking east towards the Hudson River. I believe this street is First Ave., but I think it should be "Lavendar Lane". I love repainting homes in lively colors, changing street names, trimming trees ... Artistic license, it's the best!

Friday, August 29, 2014

Nyack Houses

"Nyack Houses"  Acrylic 12x12"  Click for info
Yesterday I was sitting in a doctor's office waiting, waiting and...waiting some more.  I was looking out the window and suddenly it hit me. My view was incredible. But more importantly, all I had to do was walk outside and I would be immersed in extreme beauty, like everywhere. Why am I not painting this gorgeous town? It offers everything I love to paint - urban setting, color, charm, structure, flowers, landscapes, etc. Here is the first of hopefully many paintings of Nyack, NY, Edward Hopper's hometown, and mine too.

Wednesday, August 20, 2014

Tuscany Sunset

"Pink Sunset in Tuscany"  8x10"  Acrylic  Click for Info
In contrast to what I wrote in yesterday's post, there are times when there is absolutely no reason to push or change colors one iota. This scene would be that. In order to maintain some type of color unity, I allowed myself only 3 colors (4 including white):  Quinacridone Magenta, Thalo Blue and Cad. Yellow Light. The good 'ol imited palette concept - a little more mixing but it keeps the harmony, not to mention lot less schlepping!

Sunday, August 10, 2014

Green and Greener Pastures

Green Lakes Trail  7x7"  Acrylic  Click for more info

One of the most common issues with painting plein air landscapes is...all that green. Everyone loves lush green landscapes, but we also have a backpack full of colors that we are dying to use. This setting is in a beautiful park in Syracuse, NY, called Green Lakes. Not only is the lake green, but everything else is too. Sometimes when I'm trying to introduce more excitement to a monochromatic scene I either choose a harmonic color scheme to base my interpretation on, or play with temperature relationships, or use the setting as a springboard to design a more interesting composition and modify the shapes accordingly. The one given is a quick value sketch, so I can stay on track no matter which path I choose.  Below is a photo of the landscape. Altho the colors may look dull in the photo, it was actually inspiring, dramatic and colorful, and thats what I hoped to communicate.

There are still a couple of spots left for my workshop in Tuscany in late September - it's sure to be fun!   Here is the info.

Other workshops:
Clemente, CA Nov. 10, 11, 12. Click here for more info.
Carmel, CA Nov. 3-7. Full w/wait list. Click here for more info.
Greenville, NY  May 17-23  Click here for more info

Wednesday, August 6, 2014

Beach Bums

"Beach Bums"  Oil  14x17" More info
'Tis the season for sun and surf, hope you are enjoying your summer

Upcoming Workshops: 
7 Day All inclusive Tuscany Painting Workshop, September 24-Oct 1, Click here for more info.
3 Day Workshop in San Clemente, CA Nov. 10, 11, 12. Click here for more info.
5 Day Workshop in Carmel, CA Nov. 3-7. Full w/wait list. Click here for more info.

Thursday, July 31, 2014

Beach Scene

"Beach Scene"  Acrylic  24x36" Click for more info

This was a commissioned painting. I was supplied reference material of all the elements that the client wanted included the photo. It's not exactly what I would have chosen, but rarely are commissions what I would do if left to my own ideas...on the other hand often it is a learning experience, on some level.

Wednesday, July 23, 2014

Soho Watertower

"Soho Watertower"  8x10"  Oil  Click for more info
These watertowers, such a NYC fixture, and quite endearing somehow. They are like little mushrooms sitting atop of buildings everywhere. I heard that no other city has these? How tragic - they're so cute!

Monday, July 7, 2014

Bleeker and Thompson St., NYC

"Red Awning"  8x8"  Oil  Click for more info
A while back I was asked to do a painting for American Express that they could use as window sticker to be placed on doors of retail stores in cities in and around New York. They asked for a "typical" NYC image, so I headed downtown, and did a painting of the other street corner (the left hand side that doesn't show here). In typical NYC political fashion, the upper east side merchants wanted a scene that depicted their neck of the woods. So as luck would have it, I was hired to do two paintings, to make everyone happy. (No one was happier than me). This painting was from the pictures I took for that Amex job.  It was a cloudy day, but the job was a "rush" so no time to wait for better light.
Yesterday I came upon this photo and decided to paint it, but wanted to change it to a sunny day. I don't usually do that - but  that beautiful red awning seemed to need some drama. By adding some shadows and strong highlights I think I kinda pulled it off. And if I didn't, thats OK... it's definitely snappier than the photo.

Want to paint urban landscapes in an ancient hillside town in Italy? Come to the Cortona, Tuscany Workshop, Sept 24 - Oct 1, 2014.

Monday, June 30, 2014

Keeping Acrylic Paints Wet


I've been wanting to address this issue for some time, because I've received so many emails from people who saw my videos and want to know how I keep my paints wet.  So, here is the scoop...

I store my paints (Golden Heavy Body)  in a plastic craft bead box, or bead organizer. The one I use is divided into 18 compartments, the brand name is "Darice".  I bought it at Michaels or AC Moore.  It is a type of plastic that is sort of flexible and has some give to it (high density polyethylene). I don't buy the type made from hard plastic which is as rigid as glass, and snaps if you try to bend it. Reason being, the acrylic paint adheres to that type of rigid plastic and does not peel off when dry. BTW, the bead box is not air tight.

The reason my paints don't dry out, I am assuming, is that there is a LOT of paint in each compartment, and the amount of paint stored is a pretty thick depth-wise.  Acrylics dry when the water in the paint evaporates, and due to the thickness of the paint in each compartment, it takes a lot of time for the water to work its way out.  Plus I spritz all the paints while I am working. I may not have done that in the video, but in between filming segments, I spritzed.  Also, I put the whole container in a ziplock 2 gallon bag with a moist paper towel.  My paints last for months and months without drying out.  Its not a perfect solution, as eventually they seem to get a tad dry, but it works for me. I don't like setting out blobs of paint each time I have some time to paint, this allows me to flip the lid and start immediately. If you put tiny little blobs in the paint compartments, I can guarantee they will dry out fast.

If you want acrylic paints that dry 10 times slower, try "OPEN Paints", also by Golden.  They are a slightly lower viscosity (not as thick).  You can mix the regular heavy body paints with the OPEN paints too - they are perfectly compatible. If you mix in a 50/50 proportion, your paints will dry 5 times slower than the straight heavy body colors. You can also use the slow drying OPEN Medium, which, when mixed with either the OPEN or heavy body paints, helps increase the flow of the paint off your brush, and extends the dry time. You can also put a drop or two of OPEN Medium on each of your colors, whether you are working with blobs on your palette or in the compartments.

Many people use water as the medium with acrylics, not realizing that they could be using a medium such as "Polymer Medium".  When I want my paints to dry faster, I use water as the medium. When I want them to dry slower, I use a medium. Polymer Medium is glossy, Matte Medium is matte. OPEN is the slowest drying medium, and is available in both sheens.  Again, all OPEN products are designed to work with the faster drying acrylics too.

Another tip: You can use OPEN Titanium White in your mixures (rather than regular heavy body Titanium) to extend the dry time in any mixtures that have white in them.

I hope that helps! I hope it is also obvious why I did not answer each email individually :-)

On another note, I just got back from teaching a fabulous workshop in upstate New York. There were many break throughs - and I saw them happen! So many "ah ha! moments"... which makes me so happy.  I had a great crew of gals and guy, and was really inspired by the amazing work everyone did.

I'm looking forward to my next workshop in Tuscany in September. BTW it is open to all media --not just acrylics, as the fundamentals, value, color schemes, composition, etc, apply to all. Hope you can join us!

Tuesday, June 10, 2014

Rye Marina

"Rye Boat"  12x12" Acrylic   Click for Info
I painted this one plein air, for an event/auction that was taking place that night. In true fashion, I never found time to scout out the better sites, it was about 3pm and I was frantically searching for some place to stop and do a painting - any painting. I saw a sign for "Rye Marina" and pulled in, pulled up, set up shop and made my self at home on property that was not open to the general public. I was way beyond out-of-time. No value sketch, I did quick value painting. Good enough, then jumped into color. By the time I was finishing up, the sun was low in the horizon and the owners of this adorable little boat showed up to take a spin. They offered me a sunset cruise - with beer - but I had to run. Threw the painting in a frame, (acrylics rock) turned it in, breathed a sigh of relief - Miller time!

Below I included a photo of the site, it needed a little infusion of color, I thought.

Saturday, June 7, 2014

"Kick up the Color" Article

A nice article about pushing and swapping out colors was published this week in an artistsnetwork newsletter, accompanying this painting.  I will be focusing on "pushing color" throughout my upcoming workshop in Tuscany. There are few spots left, June 20 is the last day to register!

"Harlem Rooftops"  30x30" Acrylic  More info