Window Shopping in NYC

"Window Shopping"  16x20" Acrylic  Purchase Info

I stuck the little pooch in at the last minute, maybe because my last painting had one... yes, the finishing touch!

The Guy Walk

"The Guy Walk"  16x20"  Acrylic on Canvas  SOLD

While I was painting this I totally assumed the dog was a male, and had this title in my head from the start. Why, I don't know, it just felt like a "guy moment" in the city.  

Still life painting demo

"Happy Family"  Acrylic  8x10" Purchase Info

This weekend I taught a "How to paint fast, loose and bold" workshop. Here is my demo from the first day. We had a fun group and everyone did plenty of exercises to loosen up by using less strokes, bigger brushes, more paint, and working faster. Thats always the hard part - getting everyone to load up their paint brushes with lotsa paint. I tell them to pretend they have stock in the paint company. And when that doesn't work I've got an exercise or two up my sleeve that makes it impossible to "dab" with small brushes. Pictured below is our happy family from the Art League of Nassau County, plus Katie from Michigan hovering above (who took the photo).

Three White Houses

"Three White Houses"  Oil   9x12 SOLD

Yes, they actually are white. I was in a fauvist mood and pumped up the color. Why not... its fun!

Last Class

Blue bottles and Bowl   Acrylic 9x9"  SOLD

Today was the last (local) class I will be teaching for a couple months. It was actually a complementary make-up session for all those who missed a class or two during the 8 week period. About 1/2 the class  showed up -  so I had time to paint too. Then we all went to the diner for lunch. I couldn't ask for a nicer group of gals to work with. Some of them are coming to my workshop in Italy  this September.  Register now if you want to join us, class size is limited.

White on White

"White Cups"  Acrylic  8x8" (Sold)

Today I took a one day workshop on painting whites. There were several still life setups in the room to paint from, all white on white. I chose the cups. It is so fascinating to see all the various shades of subtle colored greys - they are actually there if you look for them, but elusive unless you keep comparing different parts of the setup while painting.

Critter Comforts

Carmel Mission  Acrylic  8.5x6.5" Purchase Info

It's nice to be back home. Seems I've been on the road for quite a while. I'm just returning from a great workshop in Cary, North Carolina, we covered a lot of territory. In the beginning of a workshop I ask each person what their goals are, take notes, then check with each person on the last day to make sure their goals were accomplished. Everyone was happy!
    Just as the workshop was ending, I was asked to do a final demo. With only 1/2 hour left, I picked a photo that is a little outside my comfort zone, and told everyone that I was not feeling confident about doing this demo, especially so fast, but I'd do it anyways, since I had asked them to be brave, experimental and non-judgmental about their work and I should do the same. I didn't have time to sketch it out and make sure I got the drawing correct, but at least I did have a small 3-value thumbnail sketch to refer to. I used a 2 inch brush and finished in exactly 35 minutes. I say "finished" but it wasn't, really. Working so fast and not cleaning out my brush much in between colors made for a muddy looking sky and some too-neutralized greens.
     So last night I went to my studio and spent a few minutes cleaning up some of the colors and adjusting some values. I also changed the value of the sky from a light to a middle value, which made emphasized the stucco wall and helped the composition. Below is a photo of the demo painting and the value sketch, and above is the finish, with better color, using some smaller brushes for flowers and vegetation. I like the final painting and feel like I stretched a little. I'm glad I stuck my neck out and tried something I hadn't had time to plan out, especially as a final demo in front of 16 people. The moral of my story is, its essential to move outside your comfort zone if you want to grow. The only risk is not taking one.  I have a lot of favorite sayings about facing fear but one of my very favorites is: "Life begins at the end of your comfort zone."  Now if I could just motivate my critters, who are clearly stuck in theirs!

 

 

How to put figures into an urban landscape painting

Behind the New York Public Library  12x12", Oil

   

New York Public Library  12x12", Oil

Lawn Loungers  8x8", Oil

The New York Public Library Lion ("Patience")   12x12," Oil

Blue Shirts  12x12," Acrylic

That is perhaps one of the more challenging aspects of urban landscapes. Especially when working "en plein air" in NYC. FYI, no one poses for you unless they are asleep. And if you can spot someone who hasn't had 5 cups of coffee and actually stays put for more than a minute or two, consider yourself lucky. Gotta capture that pose quickly!  I learned this last year when I was hired to stand outside on the busiest intersection of Manhattan, 42nd street and Fifth Avenue/Bryant Park, and paint the city sights - en plein air. No safety nets - such as photos, pre-location scouting, protection from the elements (or the crowds). Just stand there and paint whatever. Often I did 2 paintings per day, in oil or acrylic.  It was a wonderful opportunity to take those moving, grooving, hustling New Yorkers and quickly incorporate them into a painting. The trick is getting the gesture and "shorthand" right.

Luckily, in my upcoming "Paint NYC" workshop, we will be painting "en plein studio", in the comfort of the National Academy of Design which is directly across the Street from the Guggenheim Museum and Central Park. The participants will work from photos - theirs or mine - so no need for rushing to capture those moving figures. We will work on gesture, composition and design, simplifying buildings, perspective and... cars! Yes, what is a city without cars? (Hint: if you don't get the cars right, they look like something out of a cartoon book.) The shorthand I will teach about painting figures and cars will help you add them to your paintings with ease.

So, if you want to learn how to capture the energy of New York City, register today for this workshop from May 19-23, 2014. But don't wait - registration ends very soon! If you are considering it, better call today and let your intentions be known. Hope you can join us for this unique city experience.

Click here for more info at Sedona Art Center or call 928.282.3809.

PS - btw, when I say no protection from the crowds, I'm not joking...

Let's Paint NYC in May!

57th Street Dusk  Oil  10x12"

I will be teaching a "Paint the NYC Urban Landscape" workshop from May 19 - 23 sponsored by the Sedona Arts Center. The agenda will be simplifying detail, learning to put gestural figures in street scenes, learning "shorthand" for painting cars and crowds, combining limited values for drama and more.

Capture the energy, excitement and colors of NYC - in person and in paint! For more information and registration click here.

Fruit Fest Demo

Fruit Fest  Acrylic 10x10" Purchase Information

 I'm in Cary, North Carolina teaching a "Loosen up!" Painting workshop with a fantastic group of gals. There are a lot of wild women in this group, who apparently have been wanting to let loose, and thats just what they are doing - with fresh, unexpected color combinations and exciting brushwork.  Here is my demo from yesterday, and a photo of the class. 

Yellow Tulips

"Yellow Tulips"  8x8" Acrylic   Buy Now

Just returned from my recent workshop in Carmel CA at Carmel Visual Arts. I had a great group of 17 students who went from 0 to 90 mph in 3 days. The progress they made in so short a timeframe was stunning. We started the workshop with value simplification studies, moved on to methods for creating interesting brushwork (in fewer strokes) and finished off with 15 minute paintings.  I'll be returning to teach an intensive 5 day workshop November 3-7 2014. Interested? Better sign up now - its already starting to fill. Other topics to be covered: Color theory, color mixing, working with color schemes, creating colorful greys, and much more.  This time I'm going to allow for more chill time in Carmel - it is heaven on earth... and a great gallery town.

NYC Canal Street Pretzel Vendor

"Canal Street Pretzel Vendor"  Acrylic  12x12"  Buy it Now

The biggest challenge to this piece was cleaning it up - too many cars, signs, people, just too much clutter. I'd way rather clean up a painting than my studio!

There are a few spots left in my upcoming "Loosen Up" workshop in Cary, NC - we will be grooving out freely (with paint) ... here is the info  Loosen Up! March 14-17, 2014 Cary, NC

Soho Florist

 SOLD  "Soho Florist"  Acrylic  12x12"  Click to View  

A typical colorful scene in New York...vendors tending to their fruits, vegetables and flowers. Who can resist?

Personable Pug

"Personable Pug"  Acrylic  6x9"  Click to Buy

I am a big believer in the notion that if the values are correct, you have plenty of leeway with color. That is the focus of this week's Daily Paintwork's  "Creative Color Challenge". This painting was created from a b/w photo of a pug. I had a little fun with artistic license, but I kept the values true.

Patti Vincent's Kitty

"Max"  Acrylic 6x6"  Click to Buy

I did this painting for the DPW Challenge. I couldn't resist, as I'm always blabbing about translating values to color. You can read about it here.

Soho Shopping Buds

"Soho Shopping Buds"  Acrylic 8x8"  Click to Buy

Who can resist window shopping in Soho? It is serendipity at it's best!

etc: I have added "Click to see more" to my blog title. Reason being, several people have asked how to go to my blog and see all the posts, upcoming workshop listings, and also be able to comment... I guess it is not clear that the title is clickable. 

Soho Showers and Shoppers

"Soho Showers"  Acrylic 8x8"  Click to View

Another rainy day in NYC. Rain, snow, sleet or hail, shopping will prevail.

etc: I have added "Click to see more" to my blog title. Reason being, several people have asked how to go to my blog and see all the posts, upcoming workshop listings, and also be able to comment... I guess it is not clear that the title is clickable. 

Midtown Showers in NYC

"Midtown Showers"  Acrylic 8x8"  Click to View

Dreary but colorful ... a typical rainy day scene in the city

I'm really excited about my upcoming workshops ... I will be demonstrating methods for loosening up with acrylics or oils. We will be painting cityscapes, still lifes and more!

Painting Fast, Loose and Bold (in acrylics and oils) Carmel Visual Arts, Carmel,California February 19-21, 2014

Loosen Up! March 14-17, 2014 Cary, NC, March 14-17, 2014

Painting the NYC Urban Landscapes, May 19-23, 2014

Tulips in a Glass

"Tulips in a Glass"  8x8"  Acrylic   Buy it Now $100

My 8 week painting class started yesterday, this is the demo I did to show my process. I used 2 brushes, each 2" wide. They are the type with the short handle and wide ferrule, like house painting brushes. One brush for used for the pinks and reds, the other for the greens and blues. There were a few times I was tempted to use a smaller one for the details and highlights, but for the sake of the demo and to encourage students to try working with larger brushes, I didn't. It took a half hour from start to finish, with a lot of stopping for explanations. I did 4 b/w value studies of this setup, and randomly chose one of them as my guide for the demo.

The only reason I can think of to paint fast is that there is a certain gesture and economy of brushstroke that results in an energetic and lively look. When I tickle and fuss with a painting for hours or days, it looses this quality. The brushwork gets muddled and overworked, the colors lose their zest. Not to mention that when you go over the same passage several times, you start getting a built up texture from the underneath acrylic brushstokes that have dried, and sometimes that texture is unwanted. When I feel my paints start to get sticky, I know it's time to wrap it up.

City Shapes

"City Shapes" 9x12   Acrylic Click to View

This painting is from a photo I took in Times Square. The challenge was to simplify!