Cherry Reflections (SOLD)

I'm playing with oils again... I'm so not used to being able to change my mind - but with oils you can change things endlessly. Talk about safety nets - if I do something I don't like, brush right over it and it magically goes away till I get it right. Acrylics does not offer that luxury unless I'm working with the new GOLDEN "Open" Acrylics, that don't dry fast. They offer lots of flexibility as well, and I'm experimenting with them too. Its clear to me that my style of painting changes a bit with the type of materials I use - and I'm working a bit slower with oils. As I get more familiar with them I'm sure I'll speed up. But for now, its a good learning experience. One of the most difficult parts of the entire painting was signing my name - since I use large brushes, plus the oily surface is wet and slippery - I couldn't get any delicate brushstroke or "traction". Nothing was working. So I had to chop down one of my brushes to get it small enough to get a tiny signature. I was ready to leave it unsigned ...but stuck with it and finally got my name painted ... I'll get it figured out sooner or later.

Cherry Reflections

6x6" oil on canvasboard

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Cherry Tango (SOLD)

I decided to try my hand at oils last night. Admittedly, I'm not as familiar with oils as I am with acrylics, but there were some obvious aspects of working with them that I enjoyed - easy blending, easy manipulating, no build up of bumpy texture, a nice precision to brush strokes, etc etc. I could go on and on. The pigment load is much higher too, so a little goes a long way. I felt a bit clutsy at first, mainly because acrylics are the consistency of yogurt, and the oil paints I was using were the consistency of cold butter (how do you pick this stuff up?) I'm used to scooping up large blobs of "goopy" acrylic in one fell swoop - its not that way with oils. Bottom line is there are plusses and minuses to everything - its all about finding the best vehicle to express your artistic voice.

Cherry Tango

Oil on Canvas, 6x6"
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