Times Square Intersection

"Comings and Goings"  10x10"  Acrylic  SOLD

I've painted this image many times, it's from a photo I took at a Times Square intersection. I like to experiment and use the same reference to take paintings to a new place, try out new ideas. Here's a new place...

Crossing First Ave.

"Crossing First Ave." NYC  Acrylic 16x22"  $350  Click to Buy

Here is another Tetrad color scheme (four colors), Purple, Red, Blue and Yellow. It started out as a complimentary color scheme but then I decided it needed more color pizazz! Love this guy crossing the street - I actually saw him walking in front of the Metropolitan Museum of Art and decided that one day I would stick him in a painting. Well here he is, crossing First ave. (even tho he was really walking down 5th ave.) Artistic license, love that too.

NYC Biker

"City Biker"  16x20" Acrylic  

"Northbound on 10th"  18x24" Acrylic  Buy Now

Summertime is here and it's time to ... paint the city! I have an upcoming show at Simie Maryles Gallery in  Provincetown starting Labor Day weekend and there is no better time than now to start creating new work. The gallery is known for its New York City artwork, so that will be my main painting focus this summer. 

My goal on this piece was just loosen up and play with color, do some abstraction, create movement, simplify, etc.  It's the type of image I'd like to play with many more times, and keep experimenting, trying new things each time. I may do that - or not. In our garden the roses, foxglove, cosmos and begonias are in full bloom and begging to be painted.  Hmmm, decisions, decisions. What's that I said about focus?

Orange and Cherry Reflections

"Orange and Cherry Reflections"  8x8" Acrylic  Click to bid

This still life was set up for my Wednesday morning painting class, specifically to learn about dealing with the interesting reflections cast on a shiny metallic surface.  After class ended, I just had to jump in and paint it myself. 

A new summer session of 8 classes is beginning soon, and we are switching to Thursday mornings for painting, and Thursday afternoons for "Painterly Collage".  Below is a sample of the type of project that incorporates collage, acrylic gels, pastes and mediums, stamping, spraying and more. Working in a mixed media style is big fun, and I for one can't wait for class to begin. There is something very freeing about layering and mixed media, its a completely different approach than working only with paint and brushes. If you are local (NYC / Hudson River Valley), come join us!

"Heading Downtown"  18x24"  Mixed Media (SOLD)

New York City Impressions 2

City Impressions  2  Acrylic on WC Paper  14x14"

Another piece for the show... the view is from Soho looking North. I like working on paper, but when the time comes, I am not going to enjoy all the framing.

New York City Impressions

City Impressions 1  Acrylic on WC Paper 10x10"

I'm creating a lot of new work for my upcoming show in Provincetown at Simie Maryles Gallery. It starts on Labor Day weekend in September and will be up for a month. The entire show will be a collection of urban landscapes based on NYC. 

Beat the Light NYC

Beat the Light NYC,  18x24" Acrylic

I've got NYC bikers on the brain lately. It's amazing how an upcoming show can squeeze paintings out of an artist in record time.  I had to create and frame this for an upcoming show that has a deadline of today, 5PM. Deadlines... the bain of my existence and the whip-cracker of my "to do" list.

The Bigger Apple

There is something about these Apple billboards that seems so iconic of our times. I've been an Apple user forever, including when it was such an underdog to Microsoft - and now it's surpassed Exxon Mobil in net worth, who would have imagined. These billboards are everywhere, elegant in their color and simplicity, somehow balancing out the chaotic backdrop.

I painted two versions of this scene on Canal Street, one in oil, the other in acrylics. I was not completely happy with the oils version, too much detail, too much brown, too much like the photo. With the acrylics version I did my homework before picking up the brush and designed my value structure rather than just mimicking the photo. I think it reads better and I felt much free-er with the paint, knowing that my values were worked out.

The Bigger Apple

12x12 Oil on Board (sold)

8x8 Acrylic on Paper

Price on Request

Corner Cafe

It's always challenging to make sense out of a crowd scene from a painting standpoint. All those little faces and figures, all that architecture. I chose this scene for exactly that reason, aiming to keep the lively quality but not get too caught up in small details. Waiter - another martini please!

Corner Cafe

Oil on Panel 5x7"

New York Pretty

I like to do paintings in one session (called "Alla Prima") but when they have a lot of detail, as in urban landscapes, that one session can feel like a marathon. This was one of those. I started at about 1pm and finished at 11:30 pm, taking a break only to go out for a slice of pizza, and to throw the ball for my bored-silly pooch.

Once you get warmed up and into the flow, the brushwork takes on a natural, loose quality. "New starts" can show up in a multi-session painting as passages that look stiff and forced. I want the whole painting to have the same loose quality, thus the painting marathon. Plus, I'm impatient and this was a commission with a tight deadline. That always helps.

New York Pretty

Acrylic on canvas, 18x24"