Red Wine

Theres nothing like a whirlwind of sales to put wind in my sails. And no better way to celebrate than a bottle of good red wine. Or even cheap red wine. Frankly, anything with alcohol content will do. I sold 9 paintings today to two art lovers visiting from Germany and Switzerland. They rented a car and drove up from NYC, navigating to my impossible-to-find studio, charminly located across from a horse stables and a chicken coop. By the time they got within earshot of my place, Kermit the rooster who is notable for his incessant crowing (aren't they only supposed to do that in the morning) provided them with perfect-pitch audio GPS. Thanks Kermit - I couldn't have done it without you. Now could you keep it down till my next studio visit?

Merlot

9x12 Acrylic on Canvas

For more information or to purchase contact patti@mollicastudio.com

Blue Bottle

A pretty setup from my Rye class, simple but colorful...an old blue bottle that had a beautiful glow about it, and a juicy red apple. The pistachio green cloth really provided a nice complementary contrast with the red hues of the apple.

The challenge when trying to capture a beautiful light effect is less about recording exactly what you see - once you learn certain painting skills any "technician" can do that - and much more about creating the effect of the light, the magic. This involves a whole host of other considerations - pushing, pulling and manipulating warms against cools, lights against darks, neutrals against saturated hues, soft edges, hard edges, simplification vs detail, etc etc. Its a game of pulling out your bag of tricks and using everything in that bag in the right proportions to coax out the magic of the light. And when you finally achieve that glow - what a treat ... just in time for halloween!

Blue Bottle SOLD

Acrylic on Canvas 8x10

Girl on the Beach

This is a painting I did recently on the shore of Long Island, in a pretty town called Greenport. It was windy, cloudy, sunny, cloudy again, etc, making the changing light effect difficult to capture. There is nothing like painting en plein air, fast - on the spot, to get your focus sharpened and your reflexes in high gear. No time to think - just paint!

Girl on the Beach

Oil on canvas, 9x12

For information or to purchase, contact patti@mollicastudio.com

Lemon Slices

Yesterday was a painting marathon. I setup this still life for one of my students and painted along with them, painting from whatever angle I could find. I always let the students get the "good view" and I take whatever is left, but that in itself is a great lesson for me. As artists, we are often faced with less than ideal settings and situations and we have to find ways to "make it work" one way or another. If the composition doesn't work or the lighting is bad or the angles are awkward or the subject gets up and leaves, what can we do to fix it? The good news is that we have permission - aka artistic license - to do whatever it takes to make the painting work. Having a deep bag of artistic tricks, learned from dealing with many imperfect situations helps. In otherwords, learning how to best make lemonade from lemons. The other two paintings were done after class, where I could arrange the slices however I chose, stand wherever I wanted to get a good view. Interestingly enough, I like the first one the best, where I had to work dilligently from my big bag of tricks.

Lemon Slices 1,2, and 3

6x6" Acrylic on Canvas

For information or to purchase, contact patti@mollicastudio.com

Salsa Shoes

Ok, I don't know if these are latin shoes or not but thats how my husband describes them. I can't imagine trying to dance in them but I recently heard that some women broke the Guiness Book of World records by running a marathon in stilletos to raise money for breast cancer research (without breaking their ankles in the process).With that in mind, it's entirely possible to dance in them.

So enough of painting shoes in lieu of wearing them, I'm starting to feel like a poser. I courageously wore these "Latin" numbers last night, to a swanky restaurant. Now I see why women in stilletos hang tightly on to their men - its less about romance than stability. Besides towering over my husband, who normally towers over me, I had to think twice about drinking that second cosmopolitan. Tipping over face first would definitely add drama but not in the intended way. I made it home without incident, delighted to slip into my cozy fuzzy pink bunny slippers.

Salsa Shoes

Acrylic on Canvas 12x12

For more information or to purchase, contact Simie Maryles Gallery at: http://www.simiemaryles.com/

Pink Platforms

Crutches, anyone? My days of wearing these lovely accidents waiting to happen are over - at least for 3 more seasons. I got thru summer with no broken bones, now I can safely and gratefully pack them into storage oblivion. I've decided they are easier to paint than to walk in, but fashion never was about logic. Goodbye pink platforms, make room for the pink suede boots!

Pink Platforms

Acrylic on Canvas 12x12"

For more information or to purchase contact: patti@mollicastudio.com

btw, I took step by step demo photos of the painting evolving in stages, which took about 2 hours total, if you would like to see them, let me know and I'll upload the images to my website under "demos"

Cotton Candy High Heels

This was a still life that one of my students set up in class today. I pulled out my paints and decided to join them, setting up my easel wherever I could squeeze in. I couldn't be picky about views, had to take whatever I got. The composition was interesting - one shoe in a complete profile, the other in extreme foreshortening. It worked out OK, I think! One of the things we talked about in class is that shoes are deceptively challengin to paint, because if the shoe is not drawn properly and in proportion, it will look really wrong - especially if its a high heel. Women know shoes, the way guys know cars (OK, thats a generalization, but...). And they can spot in a split second if the proportions or angles are off. Its best to get the drawing correct before jumping head first into the thick, soupy paint or ... mudpie city!

Cotton Candy Slingbacks

Acrylic on Canvas 12x12

For information or to purchase, contact patti@mollicastudio.com

Coffee and Dunkin Donuts

Calories, anyone?

Coffee and Donuts

Acrylic on Canvas 12x12"

For information or to purchase, contact patti@mollicastudio.com

Boat Painting

Painting boats en plein air, its tricky. The boats move, the light changes, there is always distractions from curious bystanders who are fascinated and want to chat, the schlepping, the bugs, I always forget my visor and sunblock. So many things to deal with, so little time to work with before the light pattern has changed completely, about 3 hours tops. However all these factors put together make for a painting that communicates a bold, immediate reaction to your subject matter which is hard to simulate in a controlled studio setting. Your color, values and drawing decisions have to be quickly calculated and ruthlessly executed - no time to waver. Get it right - now - and move on quickly.

I discovered a marina in Rye, New York yesterday at about 3:45. After getting permission to paint there, parking, setting up my easel, putting out the colors, brushes, doing a quick sketch etc, I was ready to roll at about 4:30. Minus about 1/2 hour of chat time with some local boat owners who kindly offered me beer, water, and a sunset boatride, the painting was done at 6 PM. Just in time to enjoy that sunset cruise - which departed about 10 minutes prior ... next time!

Rye Marina SOLD

12x12 Acrylic on Canvas

Yellow Rose

A rose is a rose is a rose...

that elegant simplicity of a rose in bloom is so alluring. Yet is there anything more challenging to paint? The tendancy is to paint every single petal, accounting for the layers and layers of lush fullness that makes the rose so voluptuous. However in approaching it that way, one can quickly find themselves on a slippery slope of painting every petal and eliminating all the "magic" that struck us upon first glimpse. This is one of the many challenges of painting such an exquisite, complex, masterfully designed form. Implying the complexity but painting the simplicity and the drama ... not so easy.

My husband bought me a dozen yellow roses for my recent birthday. One of them stood out as being so "perfect" in its structure and design, so "architectural", that I decided to bring it to class and have my students paint it. What added to the challenge was that it was set against a very light backround, with little contrast to "fall back on". When everyone left, I pulled out the paints and went at it too.

Yellow Rose Acrylic on Board 10x10

If you are interested in purchasing, contact me at: patti@mollicastudio.com

Strappy Shoes

Strappy shoes - can you ever have enough of them? Patent leather pumps, rhinestone bejeweled sandals, chunky platforms, slinky mules, leather studded spikes ... they're easy on the eyes, tough on the feet, and so delightful to paint!

"Strap Happy" Acrylic on Canvas 12x12" SOLD

Party Shoes

Shoes are so really fun to paint! The white shoe was last worn on June 30, 2001, the day I got married. Seems a shame that I haven't had an opportunity to wear it since, but being a more predisposed to wearing black than white, it just doesn't get much action. That strappy shoe makes a perfect painting subject however, so at least it is now immortalized, with extremely fond memories, whether it gets worn or not.

Wedding Bells 12x12" Acrylic on canvas SOLD

Sweet Stuff

Here's a painting I started last night at 9:30 and finished at 10:45. I went out and bought all kinds of sweet things to paint, so stay tuned for a slew of paintings of desserts, ice cream, candy, cookies and all the stuff we love to eat, drink - and look at too! This is my first in the "Sweet Stuff" series. I took photos from start to finish to show the step by step progression, I'll be uploading them and posting to my website "demos" page.

"Sweet Stuff" Acrylic on Canvas, 12x12"

Pink Purse

Here's a quickie piece I did the other night did for my series of "Girl Stuff" paintings. At 10 pm, my first available free time of the day, I grabbed all my purses, dragged them into the studio, and honed the composition down to just 3 favs. I've had this pink purse for.... 10 years at least? but NEVER used it - I carry too much stuff for this size purse. However, it was just SO cute, I had to have it. Somehow I must have known when I bought it that it was too pretty to pass up - even if it's true fate was simply to paint.

Pink Purse 12x12 Acrylic on Canvas SOLD

Dancin' Shoes

12x12" Acrylic on Canvas

2 maters (some say 2 mahhters)

A recent trend for those of us who paint every day is to post our daily work and sell either off the blog or post on ebay to auction. Guess its time to wrap my brain around ebay. Until then, I'll be posting here. I'm still new at "blogging" - so much to learn, always!

Here is a painting I did last night, of some beautiful tomatoes that were too pretty to eat. However now that they have been immortalized, they will end up in tonight's salad.

This is named "2 maters", 9x12 Acrylic on Board

Color as Value Lesson

I find that the place most students get stuck is translating color into value. Finding the right colors and values is all about viewing your subject matter as values in relationship to each other. One aspect of the still life will appear as one value, if you are looking at it in isolation, but the trick is to look at everything in relationship to each other, according to their values. Students often try to determine the value of any given part of the setup, but if they are looking at it in isolation, their values will be off. Its about seeing all values in the context of the entire setup - NOT in isolated pieces.

Here is an example of the setup we had in class today at Rye Arts Center - as well as my quick value (charcoal) sketch (approx. 3"x2") and my acrylic painting, done in about 20 minutes, on 9x12 paper/board. I pushed the values, somewhat, making the background the darkest value and assigning the items in the still life a light value and 2 shades of grey. While I worked on the painting, I taped the value sketch in front of me to make sure that I'm staying on target. This value sketch is my "road map". If I am satisfied with the values I established in the sketch, I will stick with them thru the painting, regardless of the variations in the actual setup.

Student's Work

One of the things I'm a real stickler for, in my own work and as a teacher, is getting the values right. I'm not concerned with getting the exact colors, because the type of painting I teach is not about photo realism. I encourage my students to explore and take lots of artistic license with color - with one stipulation - the color has to match the value. Before they start painting, my students all do a value sketch, in charcoal. This serves as their roadmap to how they have translated the subject into 3 or 4 values. Whenever there is a question as to why something is not working, we look at the value sketch and its usually apparent. Most often, when there is a problem, it is because they have strayed from the value sketch, and re-interpreted the colors, switching values.

I wanted to post a painting that one of my beginner students did a couple of weeks ago. This is a perfect example of working within the values, determined by the charcoal sketch, and working intuitively with colors. A perfect example of, "if the values are correct, the painting will work regardless of color". Bravo, Susan - well done!

American Express buys extended license for Patti Mollica's NYC paintings

2010 is turning out to be a great year. American Express commissioned me to create two of my distinctive New York City images for use as decals indicating American Express’s acceptance at establishments throughout the U.S. Amex has been so pleased with the finished work, they licensed extended rights for a full menu of other uses. So keep your eyes open for my New York paintings on billboards, collateral, ads…who knows where!

Recent News: Patti Mollica featured in March 2010 "Artist's Magazine"

I was honored to be a finalist in the Landscape category of the 2009 Artist's Magazine Annual Competition, and was selected for their "Competition Spotlight" feature article. The landscape category included natural and urban landscapes, as well as interiors. I will post a jpg of the article for anyone who is interested in reading the story.